Oil On
Canvas, Real Flavor of Old Masters
|
Albrecht Durer
|
||||
|
|
||||
| b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. | ||||
|
|
||||
|
The Martyrdom of the ten thousand new16/Albrecht Durer-885338.jpg Painting ID:: 42472 |
mk168 99x87cm Oil on wood | ||
|
|
||||
|
Albrecht Durer
|
||||
|
|
||||
| b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. | ||||
|
|
||||
|
The Martyrdom of the Ten Thousand new21/Albrecht Durer-739325.jpg Painting ID:: 63751 |
1508 Oil on canvas transferred from panel Kunsthistorisches Museum, Vienna The representation of the violence of the torturers and the various positions of their victims, on their knees and lying on the ground, demonstrates the wide knowledge D?rer had acquired about the human form and laws of perspective. A refined psychological sensibility and pictorial mastery characterize almost all the figures of this tragic scene: for example, the almost cinematographic sequence of the people who are made to fall from the cliff in the top left.Artist:D?RER, Albrecht Title: The Martyrdom of the Ten Thousand (detail) Painted in 1501-1550 , German - - painting : religious | ||
|
|
||||
|
Albrecht Durer
|
||||
|
|
||||
| b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. | ||||
|
|
||||
|
The Martyrdom of the Ten Thousand new25/Albrecht Durer-336459.jpg Painting ID:: 88406 |
1508(1508) Medium Oil on canvas transferred from panel cjr | ||
|
|
||||
|
Albrecht Durer
|
||||
|
|
||||
| b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. | ||||
|
|
||||
|
The Martyrdom of the Ten Thousand new25/Albrecht Durer-968739.jpg Painting ID:: 88411 |
1508(1508) Medium Oil on canvas transferred from panel cjr | ||
|
|
||||
|
Also Buy::. For Following Paintings / Artists / Products, Please Use Our Search Online: |